What do you all think? I like the hair unchopped, but I...
Hi all, I had the pleasure of visiting the Southwestern...
Hello everyone, i'm sure that this question already been...
Hi everyone, may I ask for what you think of this pic?...
It is widely acknowledged that necessity is the mother of invention. DIY and jury-rigged lighting setups are all the rage these days. The phrase "gear doesn't matter" has become a mantra. Why are photographers so loathe to admit that gear can matter? Sometimes not having the right gear is what stands between you and your concept.
Today I want to talk about business maintenance and some of the less fun aspects of your business but important nonetheless. New Year's is a great time to go through and look at all your channels, social media, website, etc and see if there's anything that needs cleaning up or adjusting.
With the new year comes an opportunity to set some goals and make some decisions as to how to make improvements to your career. Learning new techniques and developing skills is a fundamental part of being a photographer and a filmmaker, and Skillshare has an abundance of classes that cover everything from frequency separation to bookkeeping.
Google stands to look drastically different if a new copyright law that has just been passed comes into full effect. Throughout Europe, companies like Google could be faced with the prospect of paying a licensing fee to use images for thumbnails, something that has always previously been legal.
When working with models or people without posing experience, a bad pose can ruin your shot regardless of how everything else comes together. You can have the best location, best lighting, and the best gear but it all comes down to your subject's talent and ability to pose. Here's a number of tips that you can use to help your subject achieve better results in front of the camera.
When you think of the elements of an image that make it successful and interesting most photographers immediately refer to the powers of color, form, texture, light/dark, and visual rhythm. There is another that is often overlooked: gesture. Unlike the other elements, gesture can't easily be preplanned into your composition; it's a fleeting thing. However, when you add in an interesting gesture to your frame, it's transformative.
If you've ever used luminosity masks, you know how perfect they can be for creating specific looks, effects and styles, and are also hugely purposeful for specific utility processes in your workflow. There are many ways to go about creating luminosity masks, but have you considered simply using the Gradient Map adjustment layer for this?
I shoot for a clothing boutique and we shoot outside at the same area weekly. To say I have overused the available locations is an understatement. Sometimes I find myself on the side of the road, next to a rundown building I’ve shot at 20 times already, and think to myself, how in the world can I make this different? I’ll bet most of us have been there at some point.
Dear Sony, why is it so difficult for you to get the flip-out screen right? It's as though you're trying to do absolutely everything you can with your screen except give us what we've been asking for. How many times do we have to ask you Sony? Almost everyone asked for the flip-out touch screen, instead, you gave us a completely useless flip-up screen.
There was quite a bit of buzz about the Arsenal Smart Camera Assistant some months ago. It's a hardware device that can plug into many DSLR or mirrorless cameras (though there are some important exceptions which I'll detail later.) It's designed to automate a lot of shooting situations, and make AI based decisions about camera settings to get you the best possible images.