Printing your own photos is one of the most satisfying ways to enjoy the fruits of your hard work as a photographer, but doing so comes with its own set of rules and considerations to make sure your prints are just right. This great video will give you a straightforward guide to properly managing color from camera to print.
Being able to properly shoot in manual mode seems to be a rite of passage for many photographers, representing professional-level abilities. This helpful and comprehensive video will show you everything you need to know to consistently nail your exposure in manual mode.
Have you ever considered the potential of the objects that sit in front of you every day? With the high demand for photos in social media and online marketing, your images of even the most simple items have value. Here’s how to capitalize on this and produce an easy portfolio of stock images to sell.
One of the most fundamental Photoshop skills you can have is the ability to remove and replace objects in an image. And while Photoshop has some fairly advanced automated tools to help you do this, there are times when you'll want to take full manual control. This helpful video will show you three methods to remove objects.
The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.
Matching the tones is the most challenging part of creating composite images. You may find numerous tutorials on the Internet about matching tones and smooth blending of the composite elements, however this technique by Antti Karppinen is the best I’ve seen so far as it even helps with blending images that are shot under different lights.
I recently teamed up with the crew at Fstoppers to create a video tutorial that focuses on the foundations of creating a standalone product hero shot for advertising. What’s a standalone product hero shot you ask? It’s a standalone image of a product that’s generally well lit, super crisp, super clean, and essentially aids in selling a company's product.
We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place. The light is perfect.
I can assure you that this isn't another boring tutorial on how not to overdo eyes with Photoshop. Searching for the perfect method has come to an end. Before diving into the simple method, it’s crucial to understand everything about the human eye and how it reacts to light.
Artificial lighting can be overwhelming, there are thousands of options to modify one single light source and there are dozens of companies that claim they have the best product and best bang for your buck. Regardless, photography equipment is expensive and I know I'd rather not waste money on a gimmick product when the same result could be achieved with just the right strobe placement or accessory.
Sharpening an image using a high-pass filter can really make it pop, however sharpening the entire frame doesn't always provide the best result, and adding tons of layers can become cumbersome. Fortunately, PiXimperfect's Unmesh Dinda has come up with a great new way to sharpen selected areas without adding a lot of unnecessary layers.