Do you find yourself overwhelmed and stuck when composing a landscape photography scene? Having some tips on what to look for can help if you are stuck. This video looks at the world of abstract photography as a way to find scenes and compositions.
I was challenged to photograph an entire portrait shoot using a broken lens. Can a consumer-grade camera and a half-broken, old lens from eBay create anything interesting?
This is the last of three videos that dive deep into how Kodak makes film for your cameras. In this third video, we get a peek into how the large, wide rolls of light-sensitive film that were made in the previous stages are now cut into narrower strips and packaged for us to use!
Do you struggle with your landscape photography when at a new location? It can be challenging when you are photographing a new area. You don’t have a go-to composition, you don’t know when the light is best, and so on. This video walks through how one photographer approaches a new location.
Today, let’s discuss some of the biggest changes currently happening in the market and how those changes will affect our lives and our businesses as professional photographers.
A few brief words on why it sometimes pays to have more hands in the kitchen when cooking up a creative project.
Today, we will eschew all the glitz, glamour, and pixel-peeping and get down to brass tacks on why I chose to use a specific camera for a specific use case.
In last week’s article, I discussed three mistakes to avoid when building a career as a photographer or filmmaker. Today, let’s look into three broader concepts that you might want to lean into.
There are myriad ways you can light your subject in portraiture, and whether you're jaded by your go-to setup, or overwhelmed as to where to start, this video can help you add some more styles to your arsenal.
If you find yourself struggling during the colder, darker seasons, you're far from alone. In this video, Aidin Robbins goes through how he combats winter burnout and how you can, too.
Whether you don't have anyone to help you on a shoot, or you're filming a vlog, sometimes you need to be on the other side of the camera. Here are some tips on how to make that footage the best it can be.
Modern camera lenses are small marvels, absolutely packed with technology and intricate, precise machinery. Rarely do we get a chance to look inside them, however. This neat video takes you inside one of Fujifilm's manufacturing plants to see how they put together one of their newest and most advanced lenses, the XF 150-600mm f/5.6-8 R LM OIS WR.
If you're a portrait photographer, you'll know the feeling of getting a new lens and going on your first portrait shoots with it. That feeling was strong for me over a decade ago and it's just as strong now!
I am going to walk you through how these dramatic food shots were created using only one flash and simple light shapers to imitate light coming through a window frame.
Mount Fuji is one of the most iconic locations on the planet and it is often photographed. However, shooting it at sunrise, in the fog, and with a drone are three slightly rarer occurrences, and all feature in this video!
Certain tools, including lenses, are often intended to be used in specific ways. However, by working in an unintended manner, you can create something unique and unexpected.
There are few better feelings than a great lens, a great model, and a great location. In this video, go behind the scenes with Mitch Lally as he roams an autumnal Tokyo taking portraits with a much sought-after Sigma prime.
The past few years, Venus Optics has been making great strides in affordable, niche lenses. In this video, photographer Markus Hofstätter shares his experience with the Laowa 25mm f/2.8 2.5-5X Ultra Macro lens.
An editorial shoot, like any type of photography, requires a perfect blend of planning and play. Timing is critical, especially when working with a celebrity. In this video, London-based photographer Ejatu Shaw shares a behind-the-scenes look of her shoot with radio host Roman Kemp.
Social media has led us to believe that most people take only incredible shots, look like catwalk models, and live like billionaires. We know that isn't the case, but still, we can't help but be affected by the data in front of us. Well, one successful photographer and creator takes you behind the scenes of all of their shots from a trip.
There are many kinds of professional photographers and videographers. However, if you take two professionals from different disciplines, how much of a difference is there? This video gives you an idea of what specializing in your field can do.
There is a quiet rise of small, pocketable cameras when it comes to popularity. In this video, James Popsys gives his thoughts on the little Ricoh after spending some time shooting with it. So, if you're in the market for one, take a look.
Have you ever wanted to produce a night shot but during the day? Well, it's possible, and it's not even that difficult if you know how to control light properly. In this video, go behind the scenes on an outdoor shoot during the day that yields images that look as if they're in the middle of the night.
The issue of whether or not photographers should work for free is a polarizing one. Some of us feel we should not haul thousands of dollars worth of lighting and camera gear to a location and spend a full day shooting just to gain a reward that comes in the form of intangible exposure. Others feel doing regular collaborations with like-minded peers to produce new work is valuable in nurturing a photographer’s creative process.
I recently had the opportunity to be followed by Taylor Jackson on a shoot while at the Sony Kando event.
Having really expensive gear can make you a versatile photographer with an advantage over your peers. In my opinion, knowing how to use gear creatively is a much more critical skill.
Mobile phone cameras have taking gargantuan strides forward in the last decade, to the point where they are unquestionably able to compete with dedicated cameras in certain areas. So, how is the new flagship iPhone in one area it claims dominance?
Finding the best light to bathe our subjects can be one of the most challenging parts of planning a photoshoot. We strive for those beautiful golden hour photos and sometimes completely dismiss other parts of the day. Harsh sunlight can be difficult and cloudy can be flat, but what about blue hour?
As photographers, we all have our strengths and weaknesses. But there’s one disadvantage that almost every photographer has in common.
Astrophotography has a high skill ceiling, particularly when you start to introduce trackers. In this video, a veteran astrophotographer takes on a challenge and has a few learning experiences.
Photography can be an expensive pursuit, with cameras, lenses, and lights setting you back thousands and thousands of dollars. While that is true, the operative part is "can be". There are lots of ways to create amazing images on a modest budget.
There's no getting away from it, social media is both important and ever-changing. One way you can keep up and generate a bigger following is by creating short-form videos and this little camera is great for that.
There are lots of reasons why beginner photographer might avoid using strobe lighting, but a common answer is that they don't like the look. While I know exactly what they mean, there doesn't have to be a "look" at all.
There are few natural phenomena that are more exciting to witness and photography than storms. However, chasing them can be dangerous, and capturing them can be difficult. In this video, go behind the scenes with Brent Hall as he photographs storms in New Mexico.
One of the first things any portrait photographer should learn is how to create soft, flattering light.
High altitudes, snow, biting cold, and a lot of equipment. Some shoots are harder than others and this music video looked particularly grueling. Nevertheless, the Nikon Z 9 is well-equipped for such trials; see how it performs in a testing climate.
It's easy to think that if you want to put together a great portrait shoot you need to book an expensive location and have a room full of lights, but sometimes simplicity can be more rewarding.
Car photography is a lot of fun and can be highly dynamic, but it represents one of the hardest products to photograph in a studio environment. Not only do you need a large studio that a car can be driven into, but you need huge lights to evenly light the car too. Or do you?
Being a well-rounded photographer who can succeed in any situation is the ultimate goal for most photographers. However, what happens when you are forced to take a portrait by lighting from below? Today, I take the challenge.
If you've ever wanted to take a photograph of a car that has motion to it, you may have noticed it's not often straightforward. In this video, go behind the scenes of a rolling car shoot to see how it's done.
Have you ever wondered what’s in the mind of a wedding filmmaker? How do bits of footage turn out to be a moving film that tells the couple’s story?
