Producer, director, writer, editor, actor, and researcher, Sarah Burton has to wear many hats while working for BuzzFeed Video, but can she answer the question, "Who Invented the Selfie?" Spoiler alert, she can't but as the adage goes, it's the journey not the destination. Watch as Burton humorously struggles to discover who took the first selfie, and struggles even further when the very definition of selfie comes into question.
Using a thin, round, six frame, glass plate, "spy camera", a nineteen year old Carl Størmer (1874 – 1957) captured candid images on the main streets of Oslo, Norway. These atypical images are a rare glimpse into everyday life at a time when most photos taken were of well prepared, composed and stoic subjects. If you're interested in the three part documentary video, be sure to turn on "subtitles / closed captions" and switch to "auto translate" English.
If you have just under an hour to kill then Benjamin Jaworskyj has your back with an epic travel and landscape photography video that's worth the watch. Take a visual tour to the beaches, mountains, and castles that lie tucked away in the German countryside with some landscape photography tips to boot. Feeling more like an adventure vlog than just another YouTube video, from the production values to the accompanying music, this video makes for a relaxing watch.
As photographers, a common rhetoric we hear is about finding our style. We are to consider so many technical aspects like lighting, lenses, color grading, and choice of palette. On some platforms, these aspects have become more important than the content of the images themselves. However, there are so many other aspects of photography, and every genre of photography has its own set of considerations. In this talk for TEDx Chattanooga, Photojournalist Billy Weeks discusses the role of the photographer in an area of photography that is often thought to be objective in nature.
On virtually every front, 2017 was a year of change, turmoil, and upheaval. A year comprised of moments that affected our every day lives in ways that societal and political movements haven’t in recent years past. The tension that has defined this year has found itself mirrored in the art that we create, and in more obvious ways in the documentary subjects captured by filmmakers across the globe.
You've heard the name. Listed among the accolades as one of the greats, Herb Ritts' ability to seamlessly blend together both environment and model set him apart from his peers. A mastery over lines, shapes, and all things pertaining to light that trademarked his work as timeless. He had an eye for capturing a moment and creative intuition for creating one. This documentary gives us a glimpse into the man behind the work. In a sense it is even more intimate then we could've hoped, as it is told by those who were closest to him.
Pripyat, once a town of 40,000 people and now a short distance from the world's single most deadly object, stands inside the Chernobyl Exclusion Zone. As I waited to get a coffee at the tiny shop alongside the Zone's checkpoint, I cringed slightly at the array of glow-in-the-dark knickknacks on sale. Chernobyl, the site of the biggest nuclear disaster in history and now a slightly Disney-fied tourist destination, is a reminder that photography's "truth" is always a little suspect.
Whilst many of us are getting excited over what new camera gear we’ll be acquiring over the Christmas period, it’s easy to forget that elsewhere in the world, poverty is rife and many live in warzones. One artist exposes war life in Yemen by contrasting images of our Christmas with their reality.
At the age of seven, Melissa Spitz first visited her mother in an institution. It was the first of many trips that inspired her project documenting her mother’s mental illness — a project that has now won her TIME Magazine’s Instagram Photographer of the Year 2017.
As someone who shoots 90 percent of my professional work with wide lenses, it seems like a daunting tasking to go reaching for a 70-200mm or longer when looking to capture a landscape. Long lenses require a lot more thought in how the compression is going to affect the way the viewer sees the image and its a focal length that the human eye can’t really grasp until you look through the viewfinder. With that being said, learning to use these long focal lengths will go a long way in making us more versatile in our craft. Lucky for us, Thomas Heaton has decided to make a video specifically about this.
Netflix’s new eight-part documentary “Shot in the Dark” casts focus on three rival Los Angeles-based video journalists as they chase down the “story of the night,” all with the aim to sell their footage to the news outlets for the morning news. But as the city consumes itself through the night, does the slick production fail to address the morality of the journalists altogether in the hunt for a "Grand Theft Auto"-style brand of entertainment?