Remember artist Richard Prince? If you don’t know him by name, you’ll know him by scandal. Two years ago, Prince launched a series of photos titled, "New Portraits," which by-and-large consisted of stealing photographers’ work and uploading it to his own Instagram profile, after which he screen-shot the results and printed them out, calling it his own art. Unsurprisingly, his controversial series led to four lawsuits against him. Now, he’s facing a fifth lawsuit involving a photograph of Sonic Youth musician Kim Gordon.
Those of us working within the creative industry are often held captive to an unwritten rule: working for free. No other field suffers the same stigma; we don’t expect our laywers, our handymen, or our child-minders to work without payment. So, why is it so often expected that we will?
Last year I reported on Pixsy a start-up which was aiming to tackle copyright infringement for photographers. It looked promising but after giving it a test run I was left a bit under whelmed. Copyright issues plague our industry and many folks are desperately seeking a solution. A new and totally free service, Blockai, might just be the closest thing we have right now.
The DJI Geospatial Environment Online (GEO) is the company's built-in system for helping drone operators abide by airspace rules and regulations. Today, DJI has released a major update for the system that should go a long way in augmenting responsible flying and preventing incidents.
Nearly 300 years ago, the infamous Pirate Blackbeard's flagship, the Queen Anne's Revenge (QAR), sank off the coast of North Carolina near Beaufort Inlet. A private salvage firm, Intersal, found a cluster of cannons and other artifacts in late 1996 on the seabed near the inlet. State archeologists later confirmed it was the wreckage of the QAR. What appears to be an unprecedented legal battle over who owns the copyright to a treasure trove of video footage and photographs documenting the recovery of the QAR over nearly 20 years is underway.
Paris-based Photojournalist Maya Vidon-White on Saturday called it "good news for photojournalism." But in a New York Times article, she is quoted as saying: "I don't feel a total sense of relief." Vidon-White was facing criminal charges in France for a photo she took of a victim of the November 2015 terror attacks in Paris, which was then sold to United Press International (UPI), a news agency, which in turn sold it to a French news agency. The image was ultimately published in a French magazine. The victim's family pressed charges under the nation's privacy laws, which are much stricter than U.S. laws.