Skin retouching is an art form in itself, and there are thousands of different ways to retouch skin in Photoshop. Skin retouching is such an essential part of creating the final image in the beauty and fashion industry that there is a whole industry of artists who only specialize in skin retouching.
This week we continue our Puerto Rican Photo Challenge. In our second challenge, two photographers explore the elaborate cave systems hidden deep within the central hills of Puerto Rico. In the full article, you can vote which image was the best and later this week we will reveal the winning image.
There are a myriad of video tutorials online that show you how to use Photoshop to perfect skin, clean up unwanted elements, composite images together, color grading, how to create countless special effects, and more. But what if you've literally never used Photoshop and want to learn?
Rays of light pouring through trees or a window can enhance the moodiness of an image, but if there aren't enough particles in the air to reflect and diffuse the light, you may not be able to achieve the look you want in camera. With a little help from PiXimperfect's Unmesh Dinda, it's easy to achieve that effect in Photoshop.
You can get cool results when photographing water or cloudy skies with long exposures. For that you often need a filter that reduces the amount of light that enters the lens: a neutral density filter. But what if you don’t have such a filter? In that case there is another way to retrieve almost the same results. In this article I will explain how to shoot long exposures without the help of a neutral density filter.
Just about every photographer at some point has found themselves in a situation on set where the disparity between light temperature sources causes significant color casting in ways they don't want. In my experience, the most common problem is when you have to contend with traditional incandescent light bulbs in frame, but you're using strobes that are (mostly) balanced to average daylight light temperatures. What's the best way to fix this in Photoshop?
There is simply no secret, instant fix to attaining truly great skin tone in postproduction. Using Photoshop, you can accomplish many a miracle in portrait retouching, but the many variables in any one image will dictate the direction you will end up going in your workflow when you want rich, deep, vibrant skin tones. I made an Action that starts the process for you in a click using my favorite approaches to deepening skin tone.