Skin retouching is an art form in itself, and there are thousands of different ways to retouch skin in Photoshop. Skin retouching is such an essential part of creating the final image in the beauty and fashion industry that there is a whole industry of artists who only specialize in skin retouching.
If you've often been shooting in what seems like dramatic light only to get back to your computer and realize that the images are kind of so so, then you're not alone. However, in certain situations, what seems like a dull and unimpressive image might just need a little tweaking to take it to another level.
You’ve probably seen footage that creates an impossible blend of fast-flowing traffic or streaming clouds combined with someone walking slow motion and there’s some funky editing that goes into making it happen. Time-lapse photographer and filmmaker Matthew Vandeputte has put together a short tutorial on how you can create the same effect.
There are a myriad of video tutorials online that show you how to use Photoshop to perfect skin, clean up unwanted elements, composite images together, color grading, how to create countless special effects, and more. But what if you've literally never used Photoshop and want to learn?
You can get cool results when photographing water or cloudy skies with long exposures. For that you often need a filter that reduces the amount of light that enters the lens: a neutral density filter. But what if you don’t have such a filter? In that case there is another way to retrieve almost the same results. In this article I will explain how to shoot long exposures without the help of a neutral density filter.
Just about every photographer at some point has found themselves in a situation on set where the disparity between light temperature sources causes significant color casting in ways they don't want. In my experience, the most common problem is when you have to contend with traditional incandescent light bulbs in frame, but you're using strobes that are (mostly) balanced to average daylight light temperatures. What's the best way to fix this in Photoshop?
A few days ago, camera industry guru Tony Northrup published a video arguing that in the age of digital photography, ISO is effectively meaningless and that it’s no different from dragging the exposure slider in Lightroom. Photographer Dave McKeegan has offered a response and argues that Northrup’s logic is completely wrong.
When processing your precious photos in Lightroom, Photoshop, or any other photo processing software, you make sure the exposure is spot on, the colors are perfect, and the contrast is pleasing. For that reason you may have a calibrated monitor, and the optimum light situation in your room. But did you think about the background shade of your photo processing software?
There is simply no secret, instant fix to attaining truly great skin tone in postproduction. Using Photoshop, you can accomplish many a miracle in portrait retouching, but the many variables in any one image will dictate the direction you will end up going in your workflow when you want rich, deep, vibrant skin tones. I made an Action that starts the process for you in a click using my favorite approaches to deepening skin tone.