You’ve probably seen footage that creates an impossible blend of fast-flowing traffic or streaming clouds combined with someone walking slow motion and there’s some funky editing that goes into making it happen. Time-lapse photographer and filmmaker Matthew Vandeputte has put together a short tutorial on how you can create the same effect.
There are a myriad of video tutorials online that show you how to use Photoshop to perfect skin, clean up unwanted elements, composite images together, color grading, how to create countless special effects, and more. But what if you've literally never used Photoshop and want to learn?
You can get cool results when photographing water or cloudy skies with long exposures. For that you often need a filter that reduces the amount of light that enters the lens: a neutral density filter. But what if you don’t have such a filter? In that case there is another way to retrieve almost the same results. In this article I will explain how to shoot long exposures without the help of a neutral density filter.
Just about every photographer at some point has found themselves in a situation on set where the disparity between light temperature sources causes significant color casting in ways they don't want. In my experience, the most common problem is when you have to contend with traditional incandescent light bulbs in frame, but you're using strobes that are (mostly) balanced to average daylight light temperatures. What's the best way to fix this in Photoshop?
A few days ago, camera industry guru Tony Northrup published a video arguing that in the age of digital photography, ISO is effectively meaningless and that it’s no different from dragging the exposure slider in Lightroom. Photographer Dave McKeegan has offered a response and argues that Northrup’s logic is completely wrong.
When processing your precious photos in Lightroom, Photoshop, or any other photo processing software, you make sure the exposure is spot on, the colors are perfect, and the contrast is pleasing. For that reason you may have a calibrated monitor, and the optimum light situation in your room. But did you think about the background shade of your photo processing software?
There is simply no secret, instant fix to attaining truly great skin tone in postproduction. Using Photoshop, you can accomplish many a miracle in portrait retouching, but the many variables in any one image will dictate the direction you will end up going in your workflow when you want rich, deep, vibrant skin tones. I made an Action that starts the process for you in a click using my favorite approaches to deepening skin tone.
Golden hour or overcast skies usually offer the best conditions for capturing models while avoiding harsh shadows, but sometimes time and weather are against us and that’s when Lightroom can come to our rescue. Photographer Julia Trotti gives a quick lesson on how to balance your highlights and shadows.
If there is one seemingly simple and wildly popular process in postproduction, it's boosting color saturation. I totally understand why — it's appealing to see your image sort of come to life with all the vibrancy and "pop" that color saturation enhancement brings. However, there is a smarter, more refined way to boost color saturation that I often employ, and I've also created a Photoshop Action for you to download for free that streamlines the process into one click.