Hiring retouchers is something often talked about but I’ve never considered until recently as it has always seemed out of reach. Canadian company, The Image Salon, recently allowed me to try their portrait retouching services and I was excited to give them a whirl!
One of the best pieces of advice I have been given in recent times was to not be a firefighter. Before you all jump on me and tell me I'm a dummy for saying something negative about people who are clearly more heroic than I am, let me explain. What I mean is to not be proactive in how I operate.
One of the most popular videos we have produced in the last year was with Mike Kelley and Lee Morris as they battled it out in the Amateur Vs Pro Architecture Photographer Shootout. This week Mike and Lee have set their rematch, and you our audience will be the judges!
One of my biggest fears as a professional photographer is that someday, somehow, for some reason, I’m going to lose critical images from a shoot and make a client, and myself, very unhappy. A memory card gets corrupted, a hard drive fails, or my studio burns down.
Recently, I teamed up with Ted Linczak to discuss a simple source of revenue that many wedding photographers fail to utilize well: wedding albums. Ted adds tens of thousands of dollars to his business every year with a few simple workflow and sales techniques. In this video, he shares some of his tips.
As someone who produces a lot of timelapses and video content for YouTube, nothing excites me more than testing out a new piece of gear. So, when edelkrone asked me to review their latest motorized slider and panning head unit, I jumped at the opportunity to see what this kit could do.
There aren’t many things photographers unanimously agree on, but the desire to improve post-processing results and reduce the time required to do it is one. With so much of a photographer’s time spent behind a computer, anything that not only expedites but enhances the experience is welcomed with open arms, and using a Wacom pen tablet is one such thing. For Capture One, using a Wacom Tablet can be a real boon, and here’s how.
Photographers nowadays have plenty of tools at our fingertips: Lightroom, Capture One, Photoshop, etc. However, all of these are either expensive, complicated, or have recurring payments (or all three). The automatic photo editor PhotoWorks is here to change that, targeting the photographer who isn't quite tech-savvy with layers, warping, and such, but wants a bit more "oomph" to their photos.
I hope I'm not the only person who does this, but up until recently, I had not used any of the cataloging features from any image editing software. This isn't because I thought any of them were particularly bad; instead, I just have my own way of managing files and their locations. However, ACDSee has changed my mind about this.
It’s amazing what mid or entry-level hardware can deliver when you pair it with great software. The best software will be able to make up for some of the weaknesses and exploit every ounce of its strengths – ideally with relative ease. That's what we'll see here with Capture One's Luma Range tool.
Making the switch to Capture One from Lightroom is easier and quicker than you think. There’s this perception that given the two pieces of software are from different companies, moving your Lightroom catalogs to Capture One is some arduous and protracted process, that you’ll have to start from scratch with all your images, re-edit, re-rate, and create whole new folder structures. But that perception is not reality.
It isn't fearmongering to say that one mistake, and not even necessarily your own, can bankrupt your photography business if you're uninsured. So Fstoppers have teamed up with Insurance Canopy who have created Full Frame Photography Insurance to go over the issue and offer some insight.