Fstoppers Gear Reviews
Lens mount adapters are available in huge numbers for mirrorless cameras thanks to the reduced flange distance they offer. Nearly all Full Frame and Medium Format mounts have been adapted to the Fujifilm GFX series of cameras now, and today we'll take a look at the middle-of-the-pack Fotodiox Pro Nik(G)-GFX Lens Mount Adapter and discuss what it is and what it isn't to see if it would fit the bill for you.
Many of us remember the debut of NIK Tools in 1995. They were a powerful set of plugins for Photoshop that did color adjustments, created lovely black and white images, and could sharpen images and lower noise in them. Just about every photographer I knew snapped them up at $500.
Hiring retouchers is something often talked about but I’ve never considered until recently as it has always seemed out of reach. Canadian company, The Image Salon, recently allowed me to try their portrait retouching services and I was excited to give them a whirl!
In this section of my five-part series, I’d like to look at the overall experience of shooting with a medium format camera versus shooting with a full frame or APS-C sized sensor. We’ll also look at some of the unique quirks to take into account with the Fuji GFX 50S.
In a perfect world, raw files would be as light as JPEGs. Even better yet, every camera manufacturer would use a similar and open format such as DNG. Unfortunately, as we all know, we don't live in a perfect world. However, one company named Dotphoton is about to change it all!
The Retouching Toolkit is, without a doubt, the best Photoshop extension I have tried yet. It helps streamline one's editing workflow, improves Photoshop's interface, and with the latest update, it's getting one step closer to becoming the only Photoshop plugin you could ever need.
Tamron has long been known as a reliable manufacturer of high-quality lenses, and their recent series of SP lenses has more than demonstrated their commitment to excellence. Through priorities for speed, clarity, optics, and a field-friendly design, Tamron has created a fabulous workhorse lens in their new 15-30mm (Model A041). The lens replaces the previous Model A012, delivering a variety of new features that make the lens not only faster and more reliable than its predecessor, but allowing it to yield surprisingly crisp, beautiful images. I put the 15-30mm G2 to the test on my recent 17-day journey through Belize, traipsing through Mayan ruins, along wind- and salt-swept beaches, and in the most humid of jungle environments. Let’s take a look at how this sweet piece of glass performed.
Three years ago, I reviewed the original camera bag offering from the team at Hawkesmill and it has remained my favorite bag in the years since. Recently, Hawkesmill reached out to me about reviewing their updated and improved model. Read on to hear how the best bag has been made even better.
For many of us, a 50mm lens is the first "proper" lens that we ever bought. The kit lens can be great but there's nothing quite like a good wide aperture prime lens. Thanks to a rental company in the UK called Hire A Camera, I was able to test and compare what I think might be the best 50mm lens ever made.
I hope I'm not the only person who does this, but up until recently, I had not used any of the cataloging features from any image editing software. This isn't because I thought any of them were particularly bad; instead, I just have my own way of managing files and their locations. However, ACDSee has changed my mind about this.
Skylum's Luminar 3 has been rapidly advancing with new features, and today, they've released Luminar 3.10. It's a free update for current users. This new update features significant enhancements and content-aware recognition to the software’s Accent AI filter, as well as other improvements to its Library.
I've owned lots of image de-noisers over the years. I've used external apps, Photoshop/Lightroom plugins, and I've used the noise reductions controls built into Photoshop and Lightroom. They all work to some degree, but you wind up trading noise reduction for details, and I've never found a noise reduction aid that didn't have some rather large trade-offs. Increase the noise reduction and details suffer. Preserve the details and the noise reduction is not effective. Many of you know the drill.
I know this article is sponsored, and some of you may pull back a little because of that. I don't blame you; I mean, I'd personally have reservations too, but I genuinely mean every bit of praise I give to Luminar 3. This software is seriously awesome, and in this article, I'm going to explain why.
Changing the overall color tones in your image can be very powerful. You can drastically change the emotions or the vision of the shot by simply color grading the image. If you are not exactly sure on how to create your own gradient maps, this might be the perfect tool for you.
I spent several days creating images in nasty, cold conditions on Mount Washington and the mountains of New Hampshire to see how this new mirrorless camera would perform. There were some issues, but no major malfunctions or failures. Overall, I’d say it’s a step sideways from the D750 or D800, but not a big step up at this point.
If you're a fan of extreme lenses, the Venus Optics Laowa 10-18mm f/4.5-5.6 lens is one that should definitely be on your radar. With its insane focal length, it's a fascinating lens to shoot with — both a lot of fun and a challenge. Check out our review of this interesting lens.