Helped by great design, marketing, and a superb product to boot, Syrp’s motorized time-lapse aid, the Genie, became incredibly popular with photographers. As the product that launched the company on Kickstarter three years ago, it was a premium offering, though. And sometimes, it’s useful to have something fantastic in a “light” version. Enter the Genie Mini.
Fstoppers Gear Reviews
Storage is cheap, or so we've heard. But, for many professional photographers, storing and backing up large volumes of images while also keeping up the transfer and read speeds we are accustomed to can wind up being very expensive. RAID docks are a great alternative to purchasing dedicated RAID drives, and the new Xcellon dock provides a cost-effective alternative. However, does it stack up in the long run?
The smaller size, lighter weight, and ability to get a high angle shot has made the monopod a useful tool for many photographers and videographers, especially for subjects like sports, wildlife, and run and gun situations. I got to review the new 3Pod Orbit Monopod to test its features on a couple of different projects to see how it holds up to real world shooting scenarios.
Since the birth of social media, almost every business, public figure, and of course, creative, like us, are discovering new, interesting ways to engage with their following to portray value. In our industry, engagement and creativity in garnering it is very essential because of the abundance of noise and content that exists in the social media world. By constantly looking for new ways to engage with their fans and projecting value to clientele, there are always innovative ways to fill the gap. With that being said, there’s a new kid on the block and its name is Snapchat.
Samsung’s SSD T1 was among the first drives like it, expanding on SSD features like speed and compact size to deliver an almost business-card-sized, ultra-fast drive that was perfect for the road. More robust in an all-new enclosure, the SSD T3 is the next advancement of the T1.
For many forms of photography, an off camera flash should pop-up (pun intended) at some point in your career. Whether you’re a portrait photographer, a product photographer, or a sports photographer, some sort of flash other than what is built into your camera will be necessary. Whether you’re keeping it on or off camera, picking a speedlight can be a daunting task. Here is a guide to picking the right speedlight.
Tamrac has been keeping busy to revitalize their brand by shipping new products such as the Anvil and G-Elite series of photo backpacks as well as these new Goblin gear pouches. Made to provide minimalist padding to your equipment, the Goblin pouches come in a variety of shapes and sizes to protect cameras, lenses, memory cards, and accessories.
Midway through 2015, Phase One released the XF camera system, an impressive digital medium format system which combines modularity, software upgradability, and image quality into the ultimate shooting package. Last August I spent a couple weeks shooting with the XF paired with the IQ3 50MP digital back, and in January I again spent two more weeks with the newly released mind-blowing XF 100MP system. In this review I cover my time with the new Phase One system shooting landscapes and nature photography and my experience playing with the image files in post-processing.
We've all been there at one point, watching an in-depth Photoshop tutorial to help hone and develop your skills. But if you're not fortunate enough to have multiple monitors, it can be a real pain in the ass going back and forth from the video and Photoshop to follow along. Isn't there an easier way to do this? Introducing the new Fluid Browser app.
HoldFast is known throughout the photography community for their amazing and well-made dual camera straps. What most people don't realize is that they also have a camera bag. The Roamographer bag has the same attention to detail as their straps and is also constructed out of the same great-looking leather. It's designed to look like a vintage doctor's bag and provides both style and function.
Abandon fake Photoshop lens flares and enhance your photographs with lens flares captured in an actual camera. Vibrantly colored and rich in detail, these flares are created using Nikon, Leica, Fuji, and Pentax cameras. Fairly simple to use, the Principle Light Hits Pack by Lens Distortions is definitely becoming one of my new favorite toys for creative post editing.
More and more companies are incorporating Wi-Fi into their cameras in an effort to make it easy to download and share images without the need to upload to a computer. The apps from camera manufacturers also allow you to remotely trigger the camera from your phone and see what you are taking a picture of before you trip the shutter. The problem here is that if you want to change any camera settings, you need to physically make these changes on the camera. Enter the Case Remote Plus. This device promises to give full access to camera settings, live view, shutter release and a host of other added functionalities that may not even be available on your camera.
Lumopro has had several flashes on the market, like the LP160 and the wildly popular LP180 of Strobist fame. This fall, however, Lumopro announced a brilliant new unit, the LP180R. As far as specifications, the LP180R is almost identical to the LP180, but there is one key difference that makes it an excellent tool for photographers both experienced and inexperienced.
I recently had the pleasure of picking up one of the first final production models of the Inspire Pro and X5 Micro 4/3 Camera, and immediately took it to one of the most beautiful photography destinations in the world to test it out: Meteora Greece. I spent the better part of a week there getting the hang of flying and capturing both photos and videos and I was able to come away with some stunning results. This review is meant to showcase what I was able to capture and give you an idea about the capability of the new X5 Camera and the key differences between the Inspire and...
Sigma's Art Series has been a runaway hit. Until now, we haven't seen anything that could be considered a direct response from Canon. With the release of the new 35mm f/1.4L II USM, however, Canon appears to be taking direct aim at Sigma. Find out if they can reclaim the throne!
I have been following and reporting on Vincent Laforet's "AIR" series since its first round was released. I came across an early printing of the book itself in the waiting area of San Francisco's Storehouse startup while I was about to take on another interview. I knew Storehouse and Laforet had a good working relationship, and I knew the images so well. But I didn't have time to look inside -- not that I felt I had to, however, since I knew the work inside and out. So when Laforet offered me a copy of the book to review, I simply had to say, "Of course," even if it was with mixed feelings. What could I, objectively speaking, really get out of it? Hadn't I seen it all?
Not long ago, I released a review of Sigma's newest Art-series lens, the 20mm f/1.4 Art. Unfortunately, Northern California skies have had bit of a tough time clearing up despite numerous requests from astrophotographers below, patiently waiting for news of this lens' nighttime, Milky Way performance. Last night, although far from perfect, areas of the sky did clear up enough to get a small consensus on how this lens fares when pointed toward the stars.
We know, it's another bag review, but we all need to face the reality that camera bags are like Pokemon for photographers; gotta' catch 'em all. There's really no such thing as a perfect bag, as no one bag can really apply to every situation the working photographer can throw at it, but I think I've found the closest thing to being universally useful in the Incase DSLR Pro Pack.
If you don't know Sigma's Art series lenses yet, you're missing out. Their well established 24mm, 35mm, 50mm, and zoom options in the Art lineup shine, but it's hard to believe it took this long for a wide-angle 20mm f/1.4 Art to make it out into the real world. But the moment I began shooting with this beauty is the moment of the past didn't matter anymore. We're in a new world: there's a 20mm to die for; and this is it.
FotoClient is a new cloud based platform which aims to be a total business management solution for photographers and studios. From lead management to invoicing FotoClient wants to tackle it all. I put it to the test at my studio to see how it performs in the real world. Starting at just $10/month, could this be the solution you are looking for?
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?
Hear me out on this one. As a concert and event photographer (and music lover), I will argue until my dying breath that the most important piece of equipment we have after our camera is ear protection. In fact, this made my recently published list of 10 concert photography tips for everyone. I've gone through nearly a dozen different kinds of earplugs over the past five years, but the Music•PRO high-fidelity earplugs from Etymotic are something absolutely unique, and I'm thrilled to be able to review them. They're electronic. And they're alive.
HEX is a creative brand, and photographers are creative people. Just like we as photographers want our shots to be our own, we want our camera bags to have a unique look. That's just what HEX did through design, aesthetics, and protective elements - they designed HEX camera bags for the modern photographer. We reviewed the HEX DSLR Sling and DSLR Backpack; here's what we thought.
Totally Rad are the producers of the film emulation presets titled Replichrome. Currently there are three sets of presets, Replichrome I: Icon, Replichrome II: Slide, and Replichrome III: Archive. The initial inception of the Lightroom presets, now known as the Icon Series, came with the intent to get it right. Not to create stylized versions of film but to create accurate depictions so that the digital images with the film presets would appear as close to actual film as possible.